4Culture News

On the Edges: JoEllen Wang illuminates gray areas in Marginalia

A minimal gallery space displays a white rectangular sculpture with two shallow indentations in the foreground and a small abstract painting featuring blue shapes on a white wall in the background.
JoEllen Wang. Marginalia, 2024. Installation view. Photo: joefreemanjunior.com

Back in 2008, JoEllen Wang was living in Ballard near Interbay, an in-between zone where RVs often parked. She found them charming, nostalgic. To her, in their autonomous freedom to roam, they hinted at the American dream. She started painting little portraits of them.

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Join us! October 10 dedication event will celebrate new artwork Why We Have to Work

Four decorative signposts stand in front of a leafy tree; one has text titled WHY PEOPLE HAVE TO WORK, two have ornate frames with cutouts or mirrors, and the fourth is a small framed mirror.
Johnson|Ramirez. Why We Have to Work (detail), 2024. Painted, etched, and mirrored steel. Burien Transit Center, Burien, WA. King County Public Art Collection. Photo: joefreemanjunior.com

Amid the daily bustle at the Burien Transit Center, many passengers come and go on the RapidRide H Line, traveling between Burien and Downtown Seattle on one of King County Metro’s busiest routes.

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