Skip to main content

Art and Stewardship at the South County Recycling & Transfer Station

A tall wooden totem with carved figures stands surrounded by several white, intricately patterned pillars in an outdoor garden, with green grass and a clear blue sky.
Tyson Simmons, Keith Stevenson, and Sam Obrovac. Untitled (Blue Heron), 2026. Carved red cedar, salvaged wood, acrylic paint, aluminum, and steel. South County Recycling & Transfer Station, Algona, WA. King County Public Art Collection. Photo: joefreemanjunior.com

The South County Recycling & Transfer Station (SCRTS) is now open, offering visitors more than a place to recycle and dispose of waste. Permanent public artworks integrated throughout the site connect the facility to local ecology, Indigenous knowledge, and the labor of the people who built it.

Operated by King County Solid Waste Division, SCRTS replaces the former Algona Transfer Station and serves communities in and around Algona, Auburn, Federal Way, and Pacific. Designed using the Living Building Challenge framework, the site incorporates solar energy, habitat restoration, native plantings, rainwater capture, and other sustainable design features that reflect King County’s commitment to environmental stewardship.

To complement this vision, 4Culture commissioned four regional artists to respond to the place itself—its landscape, history, and purpose.

Muckleshoot artists Tyson Simmons, Keith Stevenson, and Sam Obrovac created two monumental artworks for the public approach to the station. A Blue Heron sculpture and a series of medallions and paddles integrated into the entry retaining wall draw upon Tribal teachings, local ecosystems, and enduring cultural relationships to the White River watershed. Together, they reference natural cycles and the interconnectedness of air, land, and water.

A well-lit concrete wall at night features evenly spaced illuminated art panels, with trees visible behind the wall and a road passing in front.

Inside the administration building, artist Evan Blackwell presents two installations that emerged from a multi-year residency. Sense of Place / Sense of Belonging incorporates plants and reclaimed alder gathered from the grounds, while A Hard Hat’s Power of Protection and Expression honors the workers whose labor brought the project to life. Across both bodies of work, Blackwell explores processes of growth, transformation, stewardship, and renewal.

Wall art featuring black circular panels with white botanical and insect designs is arranged in a spiral above a display of tan stones, next to large windows overlooking a road and trees.
Evan Blackwell. Sense of Place / Sense of Belonging, 2026. Ceramic with slip, native plants, and carved alder. South County Recycling & Transfer Station, Algona, WA. King County Public Art Collection. Photo: joefreemanjunior.com

The SCRTS public art program demonstrates how art can deepen our understanding of essential infrastructure. By revealing how ecological, cultural, and human systems converge, the artworks invite visitors to see this facility as part of a much longer story of shared responsibility.

Three white construction helmets decorated with various red logos and text are displayed side by side in a clear case on a white pedestal against a plain white wall.
Evan Blackwell. A Hard Hat’s Power of Protection and Expression, 2026. Ceramic with sepia-toned transfers. South County Recycling & Transfer Station, Algona, WA. King County Public Art Collection. Photo: joefreemanjunior.com